An obvious lineage…
It’s hard to talk about the THE STAGE model without mentioning the “WALL.”
The Stage was developed one year after the launch of the The Wall speakers (which were presented at the Munich show in 2024 and 2023, respectively).
A nearly perfect homothety of its larger sister (100 cm in height instead of 130, 50 cm in width instead of 70, and 22 cm in depth instead of 30), the The Stage floorstanding speaker achieves the feat of retaining the main strengths of its predecessor in a much more compact format. Thus, it maintains:
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A wide frequency range, still as impressive as ever
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Unmatched energy in the highs
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Fast cone movement
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Fluidity of the sound message and the beauty of the timbres!

…For a unique listening experience!
Equipped with a lateral circular port on the side (which can be positioned towards the walls or inward depending on the room’s acoustics, as well as the desired bass level), the Bass Reflex design helps revitalize the sub-bass frequencies of the woofer.

Highest technical :
Our woofer was custom-designed for this model. It is, of course, made in our workshops in Troyes, in the heart of the Champagne region. It is similar to the 20 TK8 R (same horn, same core diameter, same TiCoNAl magnetic motor, and identical diaphragm material), an iconic speaker in the DAVIS Acoustics range. However, it is larger (10 inches instead of 8), and its voice coil, developed accordingly, ensures better performance in the sub-bass range. It is thus perfectly controlled throughout its movement.
Is it necessary to remind you that DAVIS Acoustics undoubtedly has the largest catalogue of MADE IN FRANCE speakers? These transducers equip not only our speakers but also renowned products around the world.
The tweeter, responsible for reproducing high frequencies, is the same as the one found in the THE WALL speaker. Its unique design (a tweeter with a cone, rather than a dome) is the ultimate improvement of the TWZ. A tweeter developed by Michel VISAN (founder of DAVIS Acoustics) when he was responsible for development at Siare in the 1970s. It has, therefore, been improved many times to reach this version.
This very particular geometry of the tweeter ensures an energy that a traditional tweeter cannot achieve (radiation surface 3 to 4 times larger). Furthermore, its shape (conical), identical to that of the associated speaker, naturally extends the frequencies into the ultrasonic range without any issues.
The “Stage” is a two-way speaker! Much easier to drive than its larger sister, which demands more power, it surprised us with its adaptability to all types of amplifiers. Regardless of the associated electronics, our floorstanding speaker proved to be accommodating across all music genres.
This ease of coupling with current electronics is primarily due to its impedance curve, which is not only smooth but also consistently above 6.5 ohms. The ability to pair the STAGE with your chosen amplifier, whether you are keeping or acquiring one, is a luxury that few speakers can offer.
Here is an example of a possible pairing: the mono power amplifier JA30MKII.

The HERITAGE range stands out with its unique “Neo-Vintage” design. No other speaker resembles these acoustic furniture pieces. There is no logo on the front; the “DAVIS Acoustics” name only appears on the rear panel of the speaker.
This guiding principle of making the speaker as discreet as possible in your interior has been nurtured by Davis for several years, notably with the Courbet range and its tilted monoliths.
For the STAGE, this single oblique line that separates two unified planes reflects DAVIS’s desire to fade into the background, allowing the speaker to become a subtle decorative element.
Three finishes are available: Walnut, black lacquer, and white lacquer.
Design through simplicity…

Spikes in option…
Available in black metal or aluminium.

Image gallery
Review of press
★★★★★ : Vumètre remarquable
« Cette alliance somme toute assez rare entre force et finesse caractérise avec brio la performance des Stage ». (vumètre-N°57)
★★★★★ : Banc d’essai Diapason d’Or
« La finesse de l’aigu et son côté ciselé sans être pincé ajoutent à la sensation d’espace et à la distinction des voix féminines. Avec The Stage, Olivier Visan a réussi son pari : donner à The Wall une petite sœur ayant hérité de son talent pour faire vivre la musique ». (diapason-N°736)